On November 23, 2012, 17-year-old Jordan Davis was shot and killed in Jacksonville, Florida, by Michael Dunn, who was subsequently charged with – and eventually convicted of – first-degree murder. The altercation began with music being played too loud in the parking lot of a gas station and ended with the death of a young black man, less than a year after Trayvon Martin died. Soon after his death, Ron Davis received a text from another grieving father, Tracy Martin, a mere five hours south from Jacksonville: “Welcome to a club none of us want to be in.”
Jordan’s story was highlighted at the Full Frame Documentary Festival this past weekend in Durham, and unfortunately, 3 ½ Minutes is as timely as ever. The film covers the circumstances of Jordan’s death and subsequent legal battle – often called the “thug music” trial, since Dunn’s fiancée testified that mere minutes before he shot 10 bullets into the car where Jordan and three of his friends were listening to music, Dunn told her, “I hate that thug music.”
The film documents the case’s long and tumultuous journey through the legal system. The first trial ended in a mistrial last February after the jury convicted Dunn, who is white, of three counts of attempted second-degree murder for firing at the other teenagers in the car but could not agree on the first-degree murder charge. The eventual retrial ended with the jury finding Dunn guilty of first-degree murder on October 1, 2014.
Every year, Full Frame offers dozens of films that reflect both the past and immediate struggles of modern life. In addition to 3 ½ Minutes, this year’s offerings included films highlighting police brutality (Peace Officer); struggles in Mexico, Russia, and North Korea (Western, Cartel Land, Kings of Nowhere, Kingdom of Shadows; The Term; Red Chapel); the environment (Containment, Overburden); autism (How to Dance in Ohio); the human cost of war and the war on terror (Of Men and War, Tell Spring Not to Come This Year, (T)ERROR)… and circus life (The Circus Dynasty).
No film felt quite as timely as 3 ½ Minutes. With new cases of unarmed black men being shot cropping up with alarming consistency, the film’s impact is even greater. Read More